. Gender is a social construct. Technically, it is a grammatical structuring category that may refer to sex, as is typical of Indo‐European languages, or to another set of features such as animate versus inanimate, as is typical of Algonkian languages. Gender in language forces speakers of the language to be continually conscious of application of the category, and they tend to project the categorization into their experience of the world and collocate observations under these broad categories. Western science has (...) been developed by speakers of Indo‐European languages employing male/female genders, and in a cultural tradition that at least since the time of Classical Greece has collocated male with active, creative, rational, and public /dominant , and female with passive, irrational/emotional, and private /subordinate. Religion and science‐organons for rendering existential experience intelligible‐have always been used by the dominant class as instruments of power, and therefore in Western cultures have been entangled with legitimization of a congeries of concepts collocated with male gender. This paper illustrates the social construction of this congeries by contrasting it with non‐Western usages and valuations. (shrink)

Anthropological analysis of religion, following Bronislaw Mahowski, is founded in empirical observational data gained at least in part by participant observation. Malinowski described religion as a “sociological charter” which is a “retrospective moral pattern of behavior,” constructed as a myth after the fact of behavior. Anthony F. C. Wallace's revitalization model provides the mechanism through which the Malinowskian charter is developed. Jack Wilson's Ghost Dance religion is briefly described as an example of a revitalization movement, and it is suggested that (...) both contemporary peace movements and militant Christian movements are revitalization movements. (shrink)

This book provides a fresh and bold look at how archaeologists and heritage managers may enhance their capacity to interpret and understand material culture and heritage values. Drawing on the founding principles of anthropology, Archaeologies of Listening demonstrates the value of cultural apprenticeship, an almost forgotten part of archaeological practice.